Description

Notes from the Underground is recounted from the perspective of an unnamed narrator who describes himself as sick, spiteful, and unattractive. His thoughts and his moods veer unpredictably as he reflects on the folly of idealism and the reality of human squalor and degradation.

The psychological power of the book is deeply rooted in the conflicts and contradictions that afflict the narrator—many of which seem to have afflicted Dostoevsky himself. Once attracted to idealistic and utopian notions, he subsequently found himself repelled by them. A passionate advocate of freedom, he had little confidence that humans could use freedom for good. The narrator of Notes from the Underground is not a unified self, but a self-contradictory character, like his author. His bewildering complexity and relentless self-analysis make him one of the most memorable and thought-provoking protagonists of modern literature.

This new translation of Notes from the Underground renders Dostoevsky’s famous work in readable and idiomatic contemporary English. As well as the full text of the work itself and an informative introduction, this edition provides background materials that offer personal and intellectual context for the work. These materials (also newly translated) include writings from some of the thinkers against whom Dostoevsky positioned himself; excerpts from Dostoevsky’s personal letters and his earlier published works; and a substantial selection of relevant illustrations and photographs.

Description

Dostoevsky’s disturbing and groundbreaking novella appears in this new annotated edition with an Introduction by Charles Guignon and Kevin Aho. An analogue of Guignon’s widely praised Introduction to his 1993 edition of “The Grand Inquisitor,” the editors’ Introduction places the underground man in the context of European modernity, analyzes his inner dynamics in the light of the history of Russian cultural and intellectual life, and suggests compelling reasons for our own strange affinity for this nameless man who boldly declares, “I was rude and took pleasure in being so.”