Additional information
| Full Title | Music and Institutions in Nineteenth-Century Britain |
|---|---|
| Author(s) | Rodmell, Paul, Dr |
| Edition | |
| ISBN | 9781409471028, 9781409405832 |
| Publisher | Ashgate |
| Format | PDF and EPUB |
Availability: In Stock
Music and Institutions in Nineteenth-Century Britain
SKU: 9781409471028
Original price was: $149.95.$24.99Current price is: $24.99.
Access Music and Institutions in Nineteenth-Century Britain Now. Discount up to 90%
Book Information
Description
Description
In nineteenth-century British society music and musicians were organized as they had never been before. This organization was manifested, in part, by the introduction of music into powerful institutions, both out of belief in music’s inherently beneficial properties, and also to promote music occupations and professions in society at large. This book provides a representative and varied sample of the interactions between music and organizations in various locations in the nineteenth-century British Empire, exploring not only how and why music was institutionalized, but also how and why institutions became ‘musicalized’.
Individual essays explore amateur societies that promoted music-making
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Music and Institutions in Nineteenth-Century Britain
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Original price was: $149.95.$24.99Current price is: $24.99.
Access Music and Institutions in Nineteenth-Century Britain Now. Discount up to 90%
Book Information
Additional information
| Full Title | Music and Institutions in Nineteenth-Century Britain |
|---|---|
| Author(s) | Rodmell, Paul, Dr |
| Edition | |
| ISBN | 9781409453567, 9781409405832 |
| Publisher | Ashgate |
| Format | PDF and EPUB |
Description
Description
In nineteenth-century British society music and musicians were organized as they had never been before. This organization was manifested, in part, by the introduction of music into powerful institutions, both out of belief in music’s inherently beneficial properties, and also to promote music occupations and professions in society at large. This book provides a representative and varied sample of the interactions between music and organizations in various locations in the nineteenth-century British Empire, exploring not only how and why music was institutionalized, but also how and why institutions became ‘musicalized’.
Individual essays explore amateur societies that promoted music-making
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