Availability: In Stock

Law and the Visual Representations, Technologies, Critique 1st Edition

SKU: 9781442630321

Original price was: $92.00.Current price is: $24.99.

Access Law and the Visual Representations, Technologies, Critique 1st Edition Now. Discount up to 90%

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Additional information

Full Title

Law and the Visual Representations, Technologies, Critique 1st Edition

Author(s)

Desmond Manderson

Edition

1st Edition

ISBN

9781442630321, 9781442630314

Publisher

University of Toronto Press

Format

PDF and EPUB

Description

In Law and the Visual, leading legal theorists, art historians, and critics come together to present new work examining the intersection between legal and visual discourses. Proceeding chronologically, the volume offers leading analyses of the juncture between legal and visual culture as witnessed from the fifteenth to the twenty-first centuries. Editor Desmond Manderson provides a contextual introduction that draws out and articulates three central themes: visual representations of the law, visual technologies in the law, and aesthetic critiques of law. A ground breaking contribution to an increasingly vibrant field of inquiry, Law and the Visual will inform the debate on the relationship between legal and visual culture for years to come.

Availability: In Stock

Law and the Visual Representations, Technologies, Critique 1st Edition

SKU: 9781442630338

Original price was: $92.00.Current price is: $24.99.

Access Law and the Visual Representations, Technologies, Critique 1st Edition Now. Discount up to 90%

Categories: ,

Additional information

Full Title

Law and the Visual Representations, Technologies, Critique 1st Edition

Author(s)

Desmond Manderson

Edition

1st Edition

ISBN

9781442630338, 9781442630314

Publisher

University of Toronto Press

Format

PDF and EPUB

Description

In Law and the Visual, leading legal theorists, art historians, and critics come together to present new work examining the intersection between legal and visual discourses. Proceeding chronologically, the volume offers leading analyses of the juncture between legal and visual culture as witnessed from the fifteenth to the twenty-first centuries. Editor Desmond Manderson provides a contextual introduction that draws out and articulates three central themes: visual representations of the law, visual technologies in the law, and aesthetic critiques of law. A ground breaking contribution to an increasingly vibrant field of inquiry, Law and the Visual will inform the debate on the relationship between legal and visual culture for years to come.