Additional information
| Full Title | Audiences of Nazism Using Media in the Third Reich 1st Edition |
|---|---|
| Author(s) | Ulrike Weckel |
| Edition | 1st Edition |
| ISBN | 9781805393726, 9781805390992 |
| Publisher | Berghahn Books |
| Format | PDF and EPUB |
Availability: In Stock
Audiences of Nazism Using Media in the Third Reich 1st Edition
SKU: 9781805393726
Original price was: $34.95.$10.49Current price is: $10.49.
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Book Information
Description
Description
Through its focus on audiences and their reception of media in Nazi Germany, Audiences of Nazism inverts the typical top-down perspective employed in studies that concentrate on the regime’s regulation of media and propaganda. It thereby sheds new light on the complex character of the period’s media, their uses, and the scope for audience interpretation. Contributors investigate how consumers either appropriated or ignored certain messages of Nazi propaganda, and how some even participated in its production. The authors ground their studies on novel historical sources, including private diaries and letters, photographs and films, and concert programs, which demonstrate, amongst other things, how audiences interpreted and responded to regulated news, Nazi Party rallies, and the regime’s denunciation of modern works of art as ‘degenerate.’
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Audiences of Nazism Using Media in the Third Reich 1st Edition
SKU: 9781805391005
Original price was: $34.95.$10.49Current price is: $10.49.
Access Audiences of Nazism Using Media in the Third Reich 1st Edition Now. Discount up to 90%
Book Information
Additional information
| Full Title | Audiences of Nazism Using Media in the Third Reich 1st Edition |
|---|---|
| Author(s) | |
| Edition | 1st Edition |
| ISBN | 9781805391005, 9781805390992 |
| Publisher | Berghahn Books |
| Format | PDF and EPUB |
Description
Description
Through its focus on audiences and their reception of media in Nazi Germany, Audiences of Nazism inverts the typical top-down perspective employed in studies that concentrate on the regime’s regulation of media and propaganda. It thereby sheds new light on the complex character of the period’s media, their uses, and the scope for audience interpretation. Contributors investigate how consumers either appropriated or ignored certain messages of Nazi propaganda, and how some even participated in its production. The authors ground their studies on novel historical sources, including private diaries and letters, photographs and films, and concert programs, which demonstrate, amongst other things, how audiences interpreted and responded to regulated news, Nazi Party rallies, and the regime’s denunciation of modern works of art as ‘degenerate.’
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